B In the Mix: The Remixes is the debut remix album by American recording artist Britney Spears. It was released on November 22, 2005, by Jive Records. The album contains remixes of tracks from her first four studio albums: ...Baby One More Time, Oops!... I Did It Again, Britney and In the Zone , a remix of "Someday (I Will Understand)", and a new track. The remixes were done by DJs such as Peter Rauhofer and Stuart Price. The music was influenced by various genres of electronic music, such as ambient and techno.
Recording and production[]
B in the Mix: The Remixes includes songs recorded for her previous albums, mostly In the Zone (2003), remixed by numerous disc jockeys and musicians, including Peter Rauhofer, Justice, Bill Hamel, Stuart Price, Dave Audé, Junkie XL, Valentin, Jason Nevins, Nick Fiorucci, Taras Harkavyi, Davidson Ospina, and Hex Hector. Price had previously remixed "Breathe on Me" from In the Zone for the limited edition bonus disc of Spears' first greatest hits album Greatest Hits: My Prerogative (2004).
B in the Mix: The Remixes also includes a remix of the previously unreleased song, "And Then We Kiss". It was originally produced by Mark Taylor and recorded for In the Zone, but failed to make the final cut. The song was then set to be included on the bonus disc of the DVD for Britney and Kevin: Chaotic (2005), but was left out in favor of another song, "Over to You Now". The original version of "And Then We Kiss" remained unreleased for years, until a new mix labelled as the original version leaked online on September 2, 2011. After suggestions that it might be fake, Taylor confirmed its authenticity on September 5.
Music and lyrics[]
The Bill Hamel remix of "Touch of My Hand" is a trance track with elements of ambient. Spears' voice has been described as "chopped up into skittering syllables and [...] becomes part of the beat". The album's fourth track, the Jacques Lu Cont's Thin White Duke Mix of "Breathe on Me" slows the beat from the original track making the song "darker and dirtier". The remix style was compared to songs by Kylie Minogue and Madonna. Dave Audé Slave Driver Mix of "I'm a Slave 4 U" consists of a guitar track and "quirky analog touches", according to Kurt Kirton of About.com. "And Then We Kiss" contains influences of euro-trance, techno and usage of synthesizers. The song blends dance-rock guitars and symphonic strings and closes with an orchestral overtone. Its lyrics talk about a kiss and the different sensations that the protagonist experiences, including trembling, crying and moaning. At the beginning she sings the lines "Lying alone / touching my skin" which suggest that the whole song may actually be a fantasy. The album's seventh track, the Valentin remix of "Everytime" contains a serious groove and pounding percussion, with usage of synthesizers. The Jason Nevins remix of "Early Mornin'" is considered the only hip hop song of B in the Mix: The Remixes.
Title and artwork[]
On September 28, 2005, Jive Records announced through a press release that Spears would release a remix album titled Remixed. However, on November 8, it was reported by Jennifer Vineyard of MTV that the album was actually titled B in the Mix: The Remixes. The album had two cover artworks, the North American one and the international one. On the North American edition, Spears doesn't appear on the album cover; there is a red butterfly against a black background instead. Vineyard noted this, stating: "[the album] is being marketed in a more underground way than usually associated with a superstar act". On the international edition cover artwork, a black-and-white image of Spears appears behind the butterfly.
Release and promotion[]
Jive Records originally planned to release a Japan-exclusive remix album Greatest Remixes in early 2005, but those plans fell through. The release of Spears' first remix album, then titled Remixed, was announced in September, when the promotional extended play (EP) Key Cuts from Remixed, including several remixes from the album, was released. A contest was launched on Spears' paid fan site for those who pre-ordered B in the Mix: The Remixes. The winner received a copy of Britney & Kevin: Chaotic, a bottle of Spears' fragrance Fantasy with an additional lotion and make-up kit, and a personalized autographed picture of Spears. On November 22, the day the album was released, a release party was held at an unspecified nightclub in Los Angeles, organized by Spears' management and the webmaster of the fansite WorldOfBritney.com. It was a limited event to 500 people, including members of the fan site and her official fan club. Spears commented: "I just wanted to say that I love the idea of all my fans getting together to celebrate the release of my new album. I was happy to help! I hope you have a great night out at the club and dance all night long!".
Critical reception[]
B in the Mix: The Remixes received generally mixed reviews from music critics. Kurt Kirton of About.com highlighted the remixes of "Everytime" and "Don't Let Me Be the Last to Know", adding that the album would be better if it included more tracks. He summarized his review saying, "this is a decent release that should please any Britney fan and most club music fanatics". Barry Walters of Rolling Stone said the album was "even more redundant" than Greatest Hits: My Prerogative, but added that with the exception of "Toxic", "just about every original track is bettered here". Spence D. of IGN said: "If you had the choice to purchase only one Britney Spears' album, then this would be the one to spend your money on." Stephen Thomas Erlewine of AllMusic commented that "B in the Mix doesn't exactly erase the impression that Spears isn't in tune with her recording career". He also stated that on tracks such as "Toxic", "her flaws stand out just a bit too much [...] the instrumental hooks have been removed from the record, leaving Spears to carry the day—which she can't really do. [...] Overall this album sounds and feels like what it really is: a piece of product." MTV writer Bradley Stern praised the album, saying it "featured loads of excellent remixes stretching from "...Baby One More Time" to "Toxic", but nothing shined quite as bright as the album's undeniable highlight: "And Then We Kiss" (Junkie XL Remix)."
Gregg Shapiro of the Bay Area Reporter gave the album a mostly negative review, calling it "hazardous waste". He also noted that Spears's voice was "reedy, cold and mechanical" when stripped from the original mixes. However, he highlighted two tracks, saying: "Spears comes closest to achieving dance-diva status on the Valentin remix of "Everytime", while the Davidson Ospina 2005 remix of "Baby One More Time" elevates the original bubblegum track to club classic." Mike Daniel of The Dallas Morning News called the Justice remix of "Me Against the Music" the best track of the album, but said it "has the feel of a hastily executed stopgap measure with almost no marketing-related thought behind it except to fulfill the once-every-two-years release cycle that's been established for Britney material." Entertainment Weekly writer Leah Greenblatt noted the remixes "amps already-aggressive singles like "Toxic" and "Me Against the Music" to brain-popping levels of synth spiraling", and transforms "sad-eyed slow jams like "Everytime" and "Don't Let Me Be the Last to Know" into Hi-NRG bursts. This party is BYORB (Bring Your Own Red Bull); without it, you might not be able to keep up."
Commercial performance[]
In the United States, B in the Mix: The Remixes debuted at number 134 on the Billboard 200, selling 14,000 copies in its first week. It spent eleven weeks on the chart overall. The album also peaked at number four on the US Top Dance/Electronic Albums, making it the first top four peak on the chart that had over 10,000 units sold since July 2002. The album spent a total of 21 weeks on the chart. As of 2020, it sold 138,000 copies in the United States.
The album also debuted on Ultratop Wallonia in Belgium at number 99 on the chart dated December 17, 2005, and also debuted at number 59 on the Italian Albums Chart on the chart dated November 25, 2005. The album peaked at number 25 on Oricon Albums Chart in Japan, where it spent eight weeks on the chart.
Digital booklet[]
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Physical version[]
Tracklisting[]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| Standard edition | ||||
| 1. | "Toxic" (Peter Rauhofer Reconstruction Mix Edit) | Cathy Dennis, Christian Karlsson, Pontus Winnberg, Henrik Jonback | Bloodshy & Avant, Peter Rauhofer | 6:46 |
| 2. | "Me Against the Music" (Justice Remix) (featuring Madonna) | Britney Spears, Madonna, C. "Tricky" Stewart, Thabiso "Tab" Nikhereanye, Penelope Magnet, Terius Nash, Gary O'Brien | Trixter, Magnet, Justice | 4:01 |
| 3. | "Touch of My Hand" (Bill Hamel Remix) | Spears, Jimmy Harry, Balewa Muhammad, Shep Solomon | Harry, Solomon, Bill Hamel, Barry Jamieson | 5:19 |
| 4. | "Breathe on Me" (Jacques Lu Cont's Thin White Duke Mix) | Stephen Lee, Steven Anderson, Lisa Greene | Mark Taylor, Stuart Price | 3:55 |
| 5. | "I'm A Slave 4 U" (Dave Audé Slave Driver Mix) | Chad Hugo, Pharrell Williams | The Neptunes, Dave Audé | 5:51 |
| 6. | "And Then We Kiss" (Junkie XL Remix) | Spears, Taylor, Paul Barry | Taylor, Junkie XL | 4:27 |
| 7. | "Everytime" (Valentin Remix) | Spears, Annette Stamatelatos | Guy Sigsworth, Valentin | 3:25 |
| 8. | "Early Mornin'" (Jason Nevins Remix) | Spears, Moby, Steward, Magnet | Moby, Trixter, Magnet, Jason Nevins | 3:38 |
| 9. | "Someday (I Will Understand)" (Hi-Bias Signature Radio Remix) | Spears | Sigsworth, Nick Fiorucci, Taras Harkavyi | 3:46 |
| 10. | "...Baby One More Time" (Davidson Ospina 2005 Remix) | Max Martin | Martin, Rami Yacoub, Davidson Ospina | 4:38 |
| 11. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix Edit) | Robert John "Mutt" Lange, Shania Twain, Keith Scott | Lange, Hex Hector, Dezrok | 8:15 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| UK edition (bonus tracks) | ||||
| 12. | "Stronger" (Mac Quayle Mixshow Edit) | Martin, Yacoub | Martin, Yacoub, Mac Quayle | 5:21 |
| 13. | "I'm Not a Girl, Not Yet a Woman" (Metro Remix) | Martin, Yacoub, Dido | Martin, Yacoub, M. Taylor, Jeff Taylor | 5:25 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| Japanese edition (bonus tracks) | ||||
| 14. | "Someday (I Will Understand)" (Gota Remix) (featuring MCU) | Spears | Sigsworth | 4:42 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| iTunes Store deluxe edition (bonus tracks) | ||||
| 1. | "Toxic" (Peter Rauhofer Reconstruction Mix Edit) | Dennis, Karlsson, Winnberg, Jonback | Bloodshy & Avant, Peter Rauhofer | 4:30 |
| 2. | "Touch of My Hand" (Bill Hamel Dub) | Spears, Harry, Muhammad, Solomon | Harry, Solomon, Hamel, Jamieson | 7:17 |
| 3. | "I'm A Slave 4 U" (Davé Slave Driver Extended Mix) | Hugo, Williams | The Neptunes, Audé | 7:05 |
Key Cuts from Remixed[]
To promote the album, Jive Records released an extended play in September 2005, containing several remixes from B in the Mix: The Remixes. This EP, known as Key Cuts from Remixed, was sent around to DJs in both 12" vinyl and CD format. This EP was made available on streaming platforms under the title of Britney Spears Remix Sampler.
Tracklisting[]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| promotional CD | ||||
| 1. | "And Then We Kiss" (Junkie XL Remix) | Britney Spears, M. Taylor, Paul Barry | M. Taylor, Junkie XL | 4:28 |
| 2. | "Me Against the Music" (Justice Remix) (featuring Madonna) | Spears, Madonna, C. "Tricky" Stewart, Thabiso "Tab" Nikhereanye, Penelope Magnet, Terius Nash, Gary O'Brien | Trixter, Magnet, Justice | 4:08 |
| 3. | "Touch of My Hand" (Bill Hamel Remix) | Spears, Jimmy Harry, Balewa Muhammad, Shep Solomon | Harry, Solomon, Bill Hamel, Barry Jamieson | 5:20 |
| 4. | "Toxic" (Peter Rauhofer Reconstruction Mix Edit) | Cathy Dennis, Christian Karlsson, Pontus Winnberg, Henrik Jonback | Bloodshy & Avant, Peter Rauhofer | 6:45 |
| 5. | "Breathe on Me" (Jacques Lu Cont's Thin White Duke Mix) | Stephen Lee, Steven Anderson, Lisa Greene | Mark Taylor, Stuart Price | 4:00 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| commercial 12" vinyl | ||||
| 1. | "Touch of My Hand" (Bill Hamel Remix) | Spears, Harry, Muhammad, Solomon | Harry, Solomon, Bill Hamel, Jamieson | 7:44 |
| 2. | "Toxic" (Peter Rauhofer Reconstruction Mix Edit) | Dennis, Karlsson, Winnberg, Jonback | Bloodshy & Avant, Rauhofer | 7:58 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| promotional 12" vinyl | ||||
| 1. | "Touch of My Hand" (Bill Hamel 12" Remix) | Spears, Harry, Muhammad, Solomon | Harry, Solomon, Bill Hamel, Jamieson | 7:44 |
| 2. | "Me Against the Music" (Justice Remix) (featuring Madonna) | Spears, Madonna, Stewart, Nikhereanye, Magnet, Nash, O'Brien | Trixter, Magnet, Justice | 4:08 |
| 3. | "Toxic" (Peter Rauhofer Reconstruction Mix Edit) | Dennis, Karlsson, Winnberg, Jonback | Bloodshy & Avant, Rauhofer | 7:58 |
| 4. | "Breathe on Me" (Jacques Lu Cont's Thin White Duke Mix) | Lee, Anderson, Greene | Taylor, Price | 4:00 |
Digital booklet[]
Personnel[]
Credits are adapted from the Japanese edition of B in the Mix: The Remixes.
- Steve Anderson – songwriting (track 4)
- Dido Armstrong – songwriting (track 13)
- Dave Audé – additional production (track 5), remix production (track 5)
- Paul Barry – songwriting (track 6)
- Bloodshy & Avant – engineering (track 1), production (track 1), songwriting (track 1)
- Anthony Carlucci – photography
- Cathy Dennis – songwriting (track 1)
- Dezrok – additional production (track 11), remix production (track 11)
- Dan Dymtrow – management
- Nick Fiorucci – remix production (track 9)
- Lisa Greene – songwriting (track 4)
- Chris Haggerty – digital editing (track 11)
- Bill Hamel – additional production (track 3), keys (track 3), percussion (track 3), remix production (track 3)
- Taras Harkavyi – remix production (track 9)
- Chaz Harper – mastering (all tracks)
- Jimmy Harry – production (track 3), songwriting (track 3)
- Hex Hector – additional production (track 11), remix production (track 11)
- Barry Jamieson – additional production (track 3), keys (track 3), percussion (track 3), remix production (track 3)
- Henrik Jonback – songwriting (track 1)
- Junkie XL – additional production (track 6), instrumentation (track 6), remix production (track 6)
- Justice – additional production (track 2), remix production (track 2)
- Eric Kupper – keyboards (track 1)
- Robert John "Mutt" Lange – production (track 11), songwriting (track 11)
- Claude Le Gache – keyboards (track 5)
- Chris Lee – guitar (track 5)
- Stephen Lee – songwriting (track 4)
- Steve Lunt – A&R
- Mac Quayle – additional production (track 12), remix production (track 12)
- Madonna – songwriting (track 2), vocals (track 2)
- Penelope Magnet – songwriting (tracks 2 and 8), production (track 2), vocal arrangement (track 8), vocal production (track 8)
- Max Martin – engineering (track 10), mixing (tracks 10, 12 and 13), production (tracks 10, 12 and 13), songwriting (tracks 10, 12 and 13)
- MCU – vocals (track 14)
- Steve Miller – mixing (track 5)
- MJN – backing vocals (track 8)
- Moby – engineering (track 8), production (track 8), songwriting (track 8)
- Balewa Muhammad – songwriting (track 3)
- Jackie Murphy – art direction, design
- Terius Nash – songwriting (track 2)
- The Neptunes – songwriting (track 5), production (track 5)
- Jason Nevins – additional production (track 8), arrangement (track 8), remix production (track 8)
- Michael Nigro – keyboard programming (track 8)
- Thabiso "Tab" Nikhereanye – songwriting (track 2)
- Gary O'Brien – songwriting (track 2)
- Davidson Ospina – arrangement (track 9), remix production (track 9)
- Stuart Price – additional production (track 4), remix production (track 4)
- Rami Yacoub – engineering (track 10), mixing (tracks 10 and 13), production (tracks 10, 12 and 13), songwriting (tracks 12 and 13)
- Peter Rauhofer – additional production (track 1), remix production (track 1)
- Keith Scott – songwriting (track 11)
- Guy Sigsworth – production (tracks 7, 9 and 14)
- Shep Solomon – production (track 3), songwriting (track 3)
- Britney Spears – songwriting (tracks 2, 3, 6–9 and 14), vocals (all tracks)
- Annette Stamatelatos – songwriting (track 7)
- David Stamm – A&R, arrangement (track 8)
- Christopher "Tricky" Stewart – production (track 2), songwriting (tracks 2 and 8), vocal arrangement (track 8), vocal production (track 8)
- Jeff Taylor – additional production (track 13), remix production (track 13)
- Mark Taylor – additional production (track 13), production (tracks 4 and 6), remix production (track 13), songwriting (track 6)
- Shania Twain – songwriting (track 11)
- Valentin – additional production (track 7), remix production (track 7)